Wednesday, 18 December 2013


When I started this remake of my tool cabinet I decided to keep it simple, letting the tools speak for themselves, so-to-speak. I thought the best way to do this was to keep the extras limited to simple curves, but theory and practise don't always jive.

The mount I'm working on is for the Stanley No. 50, a little bodied plane that has a great deal of projections that make it end up being pretty cumbersome. When you add in all its bits and bobs, you come up with a mount that is pretty massive. The end result reminded me of those old continental kits the more-is-better crowd used to bolt to the ass-end of their cars back in the 50's. Somehow I had to get some balance in it.

To do this, I decided to tie in a couple of other plane mounts, thinking that adding more wood below it would trick the eye into seeing its height, rather than its depth. It actually worked, but it added another problem in the process. The additional height resulted in a fairly large expanse of wood, nice wood mind you, but still a lot of wood. It needed something to break up the expanse, but retain the height it needed. I needed to add a little interest to the wood.

To accomplish this, I decided to add curves - lots of them...


I have to admit, this is the first time I have tried my hand at traditional carving. Given this was my first time out of the barn, I think I did all right with it.

I still have a bunch of work to do on this mount, so I'll leave the rest of it until later.

Peace,

Mitchell